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Every restoration project begins with a client’s
cherished and/or meaningful images, usually photographs.
The source materials on which these images are
provided vary from the very traditional - to the quite extraordinary
- to formats that define digital imagery.
• Since the first photographic process was formulated
in the 1830s using light sensitive silver on polished
copper, numerous advances have made it possible to capture and
exhibit images on almost any type of material - paper, glass,
metal, plastic, wood, cloth,…. These image sources can be
irregular in texture as well as shape, and sometimes presented
for restoration in pieces.
• The digital format is the current, leading source
for capturing and storing images. The quality of digital
imagery can vary greatly depending on the capabilities of the
media used to capture the image (10 megapixel camera vs cell phone)
as well as options selected for storing the image (resolution,
file type,...).
• My services are a blend of artistic perspective
and technological know-how involving sophisticated software.
The challenges I encounter have as much to do
with the type of material the image is sourced from, as with the
actual deteriorating or damaged condition of the image itself.
To
enter our gallery of sample images, click
here...
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Environmental conditions … paper quality, handling, storage
and framing materials are the primary influences that threaten
the survival of one's significant images over time. Catastrophic
events (floods, fire,…) though less likely can cause
extreme damage, and unfortunately, sometimes permanent
loss.
• Poor environmental conditions influenced by
temperature fluctuations, light exposure, and humidity can leave
photographs and documents scattered with mould, faded, brittle,
and discolored. Mishaps in handling result in scratches,
tears, and stains. The acidity of poor quality
storage albums and framing materials can migrate to high quality
photographs and documents, causing them to gradually weaken and
discolor. For the traditional photo print, poor quality
photo finishing can make light sensitive photographic papers
unstable eventually degrading the image (darkening, fading, color
casts,...).
• Loss of color, colorcasts, fading, stains, scratches, tears,
stuck to glass, disintegrating paper, even insect holes ... the
challenges of restoration and re-creating an image vary greatly
in complexity and scope. And, although to the client the
situation might seem hopeless, I advocate never
to give up on an image of importance to you. Digital tools
and brushes in the hands of a talented professional make anything
possible.
To
enter our gallery of sample images, click
here... |
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The centerpiece of my approach goes beyond my artistry
with a digital paintbrush to focusing on the essential component
– the client collaboration.
• This collaboration begins immediately with the discovery
phase - the client is invited to provide their insights
and expectations for a restored image. Often there are heartfelt
“back stories” that bring images to life, contributing
to a deeper understanding the image holds for the client, and what
needs to be achieved for a successful restoration.
• During the analysis phase the image is
assessed for the adverse effects of light, humidity, mould, acidity,
improper handling... consequences of environmental, accidental,
or possibly catastrophic conditions.
• Technical and artistic skill guide digital tools through
the restoration process during which
the client continues to collaborate. Feedback to repairs, color,
toning,... is solicited through electronic and/or hard copy proofs.
This phase is a critical component especially with extremely damaged
images.
• With the client’s final approval, restored images
are printed on fine, quality archival art papers ensuring a stable
future for the work.
• The project concludes with recommendations
for storing and displaying the restored images....
along with conservation framing, and digital archiving alternatives.
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